Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. There were four models in AKGs dual-capsule range, starting with the D200. 25 Feb/23. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. This model is renowned and remains a favorite choice of many musicians. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . . Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. A dynamic microphone revolution that only Shure could stage. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . Just make sure to point it where you want to and it will do the rest. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. 10 Albums That Are Complete Masterpieces According to You! Reimagining beauty tools to make easy, confident makeup application possible for everyone, Creating nutritional intelligence to enable better food buying decisions, Helping to make the worlds best doctors accessible everywhere, Enabling cyclists to react to performance data in real-time and with minimal distraction, Improving operational efficiency in instrumentation, Developing sound-isolating earphones that musicians demand and consumers love, Delivering an extraordinary guest experience, Tower Point, But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Boston, This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. MA 02210. This helps to achievean extremely fast transient responseand make the sound more vivid. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! They must maintain this distance in order to avoid variations in tone. More about the KSM8 here. The Neumann KMS 105 is a condenser microphone that is designed for studio use. mic. It is also a great option for those who are looking for a microphone that is durable and easy to use. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. 210.65.88.143 This pattern is fairly forgiving of mic position and technique, whilst capturing detail. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Wed love to hear from you. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Dualdyne capsule continues the ongoing evolution of microphone technology. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. Bath This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. Shure KSM9 Cardioid and Supercardioid Condenser Mic. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. For many live situations, a decent dynamic mic may be good enough. The head of the mic is 49 mm (1.9") and it weighs in at about 300g (10.6oz). With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. Thank you for selecting the KSM series from Shure. See giveaway details & rules or check out our past winners! The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. Happy customers, one piece of gear at a time! The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. To learn more about our cookie policy, please visit our Privacy Policy. Spitfire Audio Hans Zimmer Collection. In my opinion, if budget allows, stretch to a KSM9. The KSM8 really is impressive for a dynamic mic. . All rights reserved. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. . BACK. This item: Shure RPW174 KSM8 Dualdyne Wireless Capsule for Shure Transmitters. A25E. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. Strategically positioning and bringing to life new brands. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. Every KSM9 I've seen has been switchable between cardioid and supercardioid. If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. Features. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. The standard voltage for phantom power is 48 V DC. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. But on closer inspection, each mic has their own distinct but subtle character. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. 1:12 Shure KSM8 Only As low as $62/mo. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Shure KSM8 Shop now at Amazon. Shure KSM9 Shop now at Amazon. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. Shure KSM9 has two modes: cardioid and supercardioid. Sandusky, MI, United States (26) SHURE KSM9/CG/ Available colors: User rating: 71. A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. This helps maintain richness and definition in the bass, without it becoming overwhelming. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. 1.93 in. Hi Peter Shure's KSM9 is a stage condenser in a traditional handheld form factor. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. This is like having two mics in one, and is a real bonus. . Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. An internal shock mount offers the kind of durability youd expect from a live mic. Does anyone have any experience with the KSM9? Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . The lows are being naturally rolled off to avoid that unwanted mud and boominess. The KSM9 microphone typically runs around $700 in a wired configuration. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). It has a warm sound that is perfect for female vocals or mellow tracks. shure ksm8/n; . This website is using a security service to protect itself from online attacks. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Off-axis frequency response is very smooth. Shure KSM9 vs Sennheiser E965 for Vocals. Mic stands reduce any handling noise in the studio. Overview. The switch is under the grille. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. All in all the KSM9 has a durable, carefully considered design. The latter also feels more nuanced and detailed in its response. Try a good quality boom stand, with a tripod base like the K&M 210/2. Shure QLXD2/KSM9. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. I prefer the KSM9 over the Beta87C. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. What else do you need for your home recording studio? New Release: EDM Expanse (Construction Kits). The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. This mic offers dynamic lows, balanced mids and sparkling highs. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. The polar response also behaves differently with both frequency and source distance. Unlike with other mics, both patterns of KSM9 work flawlessly. This is to stop little bursts of air causing bassy pops on your studio recordings. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. For a vocal dynamic mic, this is expensive. Single vs. Dual-diaphragm frequency response. Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. With this taken care of, theres many advantages to using a condenser mic. She owns a EW 115, perhaps I could just upgrade the capsule? In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. It is intended for vocal use. Microphone sound absorption and reflection. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Last but not least is an interchangeable polar pattern. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!Follow Marcus Scott on social media Instagram: @marcusdscottAfter you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. . There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). The Neumann is also slightly more sensitive than the Shure, but it does have a similar max SPL. Beta 87A on UHF-R Wireless. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Shure KSM9 is a professional on-stage condenser mic. and all parts are high grade. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, Shop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, If youre wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. The Neumann KMS 105 is a great choice for studio vocals. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. Because more aspects of life and work are mediated through technology, we design multi-channel digital solutions that create seamless user experiences. Future Publishing Limited Quay House, The Ambury, Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. A very similar mic to the KSM9. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. With solid internal engineering, it handles noise and feedback well. Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. Why you can trust MusicRadar The last channel of my input list is the centerpiece of the show! Elegantly crafted products that are simple, useful, and desirable. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. When you purchase through links on our site, we may earn an affiliate commission. The Shure KSM9 is also a great choice for studio vocals. Shure Tech Portal open_in_new. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. The active and passive diaphragms differ in that the active (top) one has a coil attached. It might be just what you need to take your sound to the next level. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. Your IP: shure axient combiner shure axient combiner (No Ratings Yet) . At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. You are using an out of date browser. The Shure KSM9 is a condenser microphone, so it does require phantom power. This means an even, predictable low-end as the distance from the mic changes. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? 5:52 Thanks for Watching! At 191 mm (7.5), its slightly longer than the Shure SM58. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz.